The Killing of a Sacred Deer 2017 Estreno España
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The Killing of a Sacred Deer 2017 Estreno España
Equipo De Filmación
Coordinación Departamento de arte:
Myrna Brando
Coordinador de acrobacias:
Barbar Tyron
Diseño de guión:
Chaloux Barrera
Imágenes : Xaria Rashid
Co-Produzent : Wardah Lancret
Productor ejecutivo : Albina Nohé
Director de arte supervisor:
Merad Hugues
Produce|Producir : Germain Fossey
Actriz : Hasnat Perret
6.9
1778
Título de la película | The Killing of a Sacred Deer 2017 Estreno España |
Hora | 174 minuto |
Lanzamiento | 2017-10-20 |
cantidad | FLV 1080p BDRip |
Categoría | Drama, Thriller, Mystery |
habla | English |
nombre de reparto | Johann J. Foglia, NEUESUPERJaylon V. Dongier, Julee R. Thelma |
[HD] The Killing of a Sacred Deer 2017 Estreno España
My immediate response as soon as this finished was "MASTERPIECE." Lanthimos is back to _Dogtooth_-level craziness with this film and I couldn't be happier. _The Lobster_ was a favourite of mine in 2016, but something about this one's hopelessness drew me in more - odd, I know. Lanthimos' films have characters stuck in dead end situations where they are able to make a choice, but the results of the options are bad and worse. It's a dour story and the film is relentlessly unsettling, but this is what I've come to expect and want out of this Greek maestro.
Sacred Deer is a suburban Greek tragedy that draws inspiration from Euripides’ _Iphigenia in Aulis_ - a character even mentions this title in a key scene - and it plays out both as you'd imagine and with great shock and originality. Lanthimos and his writing partner Efthymis Filippou may just be my favourite writing team working today - they haven't let me down yet.
The cast is spectacular here with Nicole Kidman and Colin Farrell in top form bringing the odd words of Lanthimos and Filippou to life - albeit a very, very strange life. Farrell, having worked with Lanthimos on The Lobster, had nothing but high praise for the director during tonight's Q&A after the screening of the film. He even said they were planning another project to work on together. He's slowly becoming a muse and their relationship is turning into a DiCaprio-Scorsese type partnership (except I look forward to these way, way more).
The audience I was in had a hard time with this film - there was audible shock and disgust during the film and the applause as it ended was slight. I think people were genuinely scandalized by this one and that makes me like it even more. Keep shocking audiences, Lanthimos, you Greek bastard. I'll be in line every single time!
I am a big fan of some of Yorgos Lanthimos' earlier work, so _The Killing of a Sacred Deer_, which I had been told in no uncertain terms would be a straight up horror movie, was well and truly on the agenda for 2017. Unfortunately, I found that not only was _Sacred Deer_ not at all a horror, but more importantly that it lacked the dark whimsy of something truly odd, like the director's previous film, _Lobster_. Instead it opts for an outright uncomfortable tone. The world is real, boringly so, and it is only the characters who seem unbelievable. Which is a 180 on the sort of absurdism I usually gravitate towards. That said, _Sacred Deer_ still contains some beautiful cinematography, and a couple of the most genuine laugh-out-loud moments I've seen in a movie all year.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Finally got the chance to see this via Amazon.
Dogtooth and The Lobster (from the same Greek director, who I must admit has a keen sense of storytelling) did not impress me at all. Very interesting ideas; atrocious presentations. Dogtooth was indecipherable and The Lobster is cruel, ugly, and not humorous in any fashion (I've no idea why it's billed as a black comedy.)
However, this latest film is entertaining to me despite it's grim and inky-black nature (based on the ancient Greek play, which is where the title is loosely derived from.) Perhaps it's a bit more straight-forward despite its cryptic nature, a bit more involved in some form of reality we can recognize and less inference as to what the hey is really happening. But I sure watched it w/ more interest than The Lobster (I've no interest in the director's film prior to that one.)
A successful heart surgeon (w/ a past history of alcoholism, sober for some time at present) is shown to have an uneasy alliance w/ the teenaged son of a patient who died on the operating table. It's clear the boy has some hold over this surgeon, who seems eager to please him but his heart's not into it (no pun intended.)
The boy's true intentions are revealed as events move forward; the surgeon's wife and two children (a few years apart, both intelligent in their own ways) are placed in grave danger as well as dear old Dad, and to reveal just how would spoil it for first-time viewers.
The camera-work here is impeccable, as are the jarring soundscapes, found-sounds, and industrial noise which makes for harrowing listening. The actor playing Martin, the teenaged oddball w/ a shared secret, is riveting to watch in a well-suited role.
Sacred Deer isn't so much a horror-film as a drama w/ strong elements of dream-like reality, awkward young romance, and assorted chills and cold calculated sex-scenes involving "playing dead" and "the other."
My biggest complaints would be as before w/ this director's work: everyone speaks their lines as if hearing them through an ear-piece to parrot back, which makes the cast seem rather stilted and robotic. This director favors a weird tangent of "Mamet-speak."
The ending is about what you'd expect, following the matter-of-fact discussions which precede it. Up until that point Sacred Deer does a pretty good job keeping us wondering what will happen next, where will things lead, what is that kid's gift and whereupon was it bestowed; unfortunately the outcome isn't as entrancing or unexpected as I'd hoped.
But overall worth my time to watch. Considering how disappointed I was by the previous films by the director I'd watched (great reviews, all of which confounded and puzzled me) this film was much less of a bore and a chore to watch. A pleasant, unpleasant surprise indeed.
Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways.
Синдром приобретённого иммунного дефицита — Википедия ~ История 1981 год 5 июня — сообщение Центров по контролю и профилактике болезней США англ Centers for Disease Control and Prevention CDC о 5 случаях пневмоцистной пневмонии и 28 случаях саркомы КапошиВсе заболевшие — мужчины
Шилклопер Аркадий Фимович — Википедия ~ Биография Аркадий Шилклопер родился 17 октября 1956 года в Кунцево Московской области в семье Фимы Абрамовича Шилклопера 1930—2013 и Серафимы Тимофеевны Шилклопер урождённой Смирновой 1933—2000 С 6 лет Аркадий начал
Умелец Мэнни — Википедия ~ Умелец Мэнни англ Handy Manny — мультсериал для детейВ речи персонажей присутствуют слова и словосочетания на английском языке первые серии были на чисто русском языке
Индуцированные стволовые клетки — Википедия ~ В августе 2006 года японские исследователи сумели превратить клетки мышиной кожи фибробласты в индуцированные плюрипотентные стволовые клетки — ИПСК induced pluripotent stem cells — iPSC используя для модификации клетки всего
Уормсер Ричард — Википедия ~ Ричард Эдвард Уормсер англ Richard Edward Wormser псевдоним — Ed Friend 2 февраля 1908 г НьюЙорк — июль 1977 года — американский писатель криминального чтива детективной фантастики киносценариев и вестернов
The Fall — Википедия ~ The Fall — британская постпанкгруппа основанная в 1976 году в Манчестере Марком Э Смитом выпустившая в общей сложности более девяноста альбомов и являющаяся согласно Allmusic одной из самых авторитетных долговечных и
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